• IS IT SAFE, FOYER-LA, Los Angeles, CA, 2024

    ALL KILLER NO FILLER, One Trick Pony Gallery, Los Angeles, CA, 2024

    spaces of ongoing negotiations, FOYER-LA, Los Angeles, CA, 2023 (solo)

    Proximity, FOYER-LA, Los Angeles, CA, 2022 (solo)

    The Subject, the Secondary, and the Object, FOYER-LA, Los Angeles, CA, 2019

    FoyerLA, FOYER-LA, Los Angeles, CA, 2019

    Un-structure, Claudia Parducci, Connie Walsh, Brian Wills, Ochi Projects, Los Angeles, CA, 2017

    [PRINT] Process, Lumiere Editions, Silver City, NM 2016

    interior façade, curated project, zingmagazine24, New York, NY, 2015

    Up To & Including The Horizon, Ochi Projects, Los Angeles, CA, 2015

    Un-natural Landscapes, Pip-Squeak Chapeau Etc., NY, NY, 2012

    Drowning, Marianne Boesky Gallery Project Space, NY, NY, 2011

    Connie Walsh and Kathleen Johnson, ACME, Los Angeles, CA, 2011

    Bubble and Squeak, The Happy Lion, Los Angeles, CA, 2010

    The Fuzzy Set, LAXART, Los Angeles, CA, 2009

    Mixed Greens 10th Anniversary Exhibition, Mixed Greens, New York, NY, 2009

    Videonale 12, Kunstmuseum Bonn, Bonn, Germany, 2009

    High Desert Test Site, Joshua Tree, CA, 2007

    Panoramica: archivo video_dumbo, El Museo Tamayo Arte Contemporaneo, Mexico City, Mexico, 2006

    Sex and Sadness, Platform Garanti Contemporary Art Center, Istanbul, Turkey, 2006

    Andrea Zittel: Small Liberties (invited "wagonstation"customizer), Whitney Museum at Altria, New York, NY, 2006

    'Exploding Television- Satelite of Love', Rotterdam International Film Festival, Witte de With Contemporary Art Center, Rotterdam, The Netherlands, 2006

    video_dumbo, 9th annual d.u.m.b.o art under the bridge festival, d.u.m.b.o art center (dac) gallery, Brooklyn, NY, 2005

    Videonale 10, Kunstmuseum Bonn, Bonn, Germany, 2005

    Danger, The Di Rosa Preserve: Art & Nature Presents, Napa, CA, 2004

    Video (Por)Traits, 6th Annual Video Marathon, Art in General, New York, NY, 2004

    It’s happening again: Fashion Music Politics, Impakt Festival 2003, Centraal Museum Utrecht, Utrecht, The Netherlands, 2003

    Unbecoming: The Private as Public Spectacle, Philadelphia Art Alliance,

    Philadelphia, PA, 2002

    First Triennial Sculpture Exhibition, Rhode Island School of Design, Woods Gerry Gallery, Providence, RI, 2002

    Colaboratory, Gale Gates et. al, Brooklyn, NY, 2001

    Mixed Greens at Space 101, Mixed Greens, New York, NY, 2001

    Connie Walsh, SculptureCenter, New York, NY, 2000 (solo)

    Aural Sex, Catharine Clark Gallery, San Francisco, CA, 2000

    Blue Vinyl, Traywick Gallery, Berkeley, CA, 2000

    art club berlin, AU Base, New York, NY, 1999

    Drive-by, Traywick Gallery, Berkeley, CA, 1999

    Zingmagazine Curatorial Video Crossing, Sudhausarbar/Warteck PP, Basel, Switzerland, 1999

    art club berlin, Informations Pavilion Das Neur Berlin, Berlin-Mitte, Germany, 1999

    Self Evident, Vaknin Schwartz, Atlanta, GA, 1999

    “I’m the boss of Myself”, Sara Meltzer’s On View..., New York, NY, 1999

    REC, Marianne Boesky Gallery, New York, NY, 1998 (solo)

    A Skowhegan Decade 1987-1997, David Beitzel Gallery, New York, NY, 1998

    People, Places, and Things, Marianne Boesky Gallery, New York, NY, 1998

    Tampering with the Reel: Artists Select Series, selected by Marina Abramovic, Artists Space, New York, NY, 1997

    Me, Clementine Gallery, New York, NY, 1997

    Burt Barr, Sigrid Hackenberg, Connie Walsh, Boesky & Callery Fine Arts, New York, NY, 1997

    SWEAT, Exit Art / The First World, New York, NY, 1996

    cadmium cathode, SAUCE, Brooklyn, NY, 1996

    Interface, Donnell Media Center, New York, NY, 1996

    Hybrid No. 7: Shapes and Forms in Formlessness, The Kitchen, New York, NY, 1996

    Imaginary Beings, Exit Art / The First World, New York, NY, 1995

    60,000 Milliseconds, Humphrey Gallery, New York, NY, 1995

    Wax, Nohra Haime Gallery, New York, NY, 1995

    Sculpture A New View, Cohen Berkowitz Gallery For Contemporary Art, Kansas City, MO, 1994

    Introductions ‘94, Stephen Wirtz Gallery, San Francisco, CA, 1994

  • Skowhegan School of Painting and Sculpture, Skowhegan, ME, summer 2021

    Skowhegan School of Painting and Sculpture, Skowhegan, ME, summer 1996

    Rhode Island School of Design, Providence, RI, MFA, Sculpture, 1993

    Colgate University, Hamilton, NY, BA, Art/Art History, 1989

  • Alfred University, NYSCA Funded Residency with The Institute for Electronic Arts, Alfred, NY, December 2002

    Public Glass, ASAP(Artist Saturday at Public), San Francisco, CA, November 2002

    Award of Excellence II, Rhode Island School of Design, Providence, RI, 1993

  • McFadden, Jane. “Connie Walsh: proximity”, zing interview, zingmagazine.com, May 2022. (Link)

    Cohen, Emma. “Connie Walsh’s Sculpture in the 2nd Dimension”, zingchat, zingmagazine.com, September 2016. (Link)

    Green, Tyler. “The A-Z of Being There”, BlackBook, May 2006.

    Cebulski, Frank. “‘Danger’ at San Joaquin Delta College”, Artweek, Vol.34, Issue 8, October 2003.

    Lachtman, Howard. “‘Danger(ous)’ concepts”, Recordnet.com, September 6, 2003.

    Nelson, Arty. "Compound Interest", La Weekly, Vol. 25, No. 36, July 25-31, 2003. (PDF)

    Rice, Robin. “The Ugly Truth”, Philadelphia City Paper, August 8-15, 2002. (PDF)

    Sozanski, Edward J. “Group show peeps at public voyeurism”, The Philadelphia Inquirer, August 2, 2002. (PDF)

    Sweeney, Joey. “Video Killed the Pop-Art-Star”, Philadelphia Weekly, July 10, 2002.

    Cotter, Holland. Art in Review, New York Times, May 18, 2001. (PDF)

    “Two Way: An Email Correspondence between Austin Thomas and Connie Walsh”, Artbyte.com, summer 2001.

    Horton, David Harrison and Miltner, Kristin. Reviews, Art Papers Magazine, January/February 2001. (PDF)

    Helfand, Glen. "Breaking the Sound Art Barrier", Art & Auction, December 2000. (PDF)

    Mills, Francis. "Aural Sex", NY ARTS, Vol. 5, No. 11. (PDF)

    Shank, Will. "What's up at the galleries?" Bay Area Reporter, Vol. 30, No. 38, September 21, 2000. (PDF)

    “Aural Sex”, ARTSTAR.com, September 16, 2000. (PDF)

    Baker, Kenneth. "Stop, Look and Listen", San Francisco Chronicle, September 9, 2000. (PDF)

    Helfand, Glen. "Aural Sex”, The San Francisco Bay Guardian, Vol. 34, no. 49, September 6-12, 2000. (PDF)

    Meeker, Cheryl. Reviews, Art Papers Magazine, January/February 2000. (PDF)

    Auslander, Philip. Reviews, Art Papers Magazine, November/December 1999. (PDF)

    Cullum, Jerry. "Selfhood is elusive in series of portraits", The Atlantic Journal-Constitution, July 23, 1999. (PDF)

    Feaster, Felicia. “Personality profile”, Creative Loafing, July 10, 1999.

    Henry, Max. "Party Games", ArtNet, December 8, 1998. (PDF)

    Schwendener, Martha. “Reviews”, Time Out New York, November 5-12, 1998. (PDF)

    Thorson, Alice. “These pieces will speak to you- literally”, The Kansas City Star, December 11, 1994.

    Jan, Alfred. “Some Great New Local Art”, Artist Writer, August/September 1994.

    Bonetti, David. “A new round of ‘Introductions’”, San Francisco Examiner, July 15, 1994.